Category Archives: unvarnished

Why Thanos is Infinity Wars Weakest Link

Of all the film’s many faults, I’ve had some difficulty deciding what to focus on to illustrate most effectively just where Marvel went wrong with the Avengers: Infinity Wars. I’d like to use this opportunity to explain just how they managed to turn their most well received franchise into a dull rehash of ignoble tropes. To do this, Thanos is going to be my focus, as most heroic tales are only as resonant as their antagonists.

The story of the Avengers is in no way unfamiliar to anyone coming to grips with their own talents and a want for heroism. The fact that we can impact the world with our choices is in fact the core subject and theme of the Avengers franchise, and by abandoning that, Infinity Wars is not much more than special effects pornography. By that I mean a gratuitous, self gratifying and demeaning display of wanton imagery.

Thanos was clearly intended to be the reason for Marvel’s universe of heroes to band together, and they’ve had many opportunities to explore how the throwdown might happen. It is especially ironic, and absurd, that this film should fail so spectacularly. None so far have had as little impact as this particular string of events, and there’s just one reason why: Motivation. The linchpin of every origin story is the expression of why each hero chooses to fight for good.

Just a moment ago I used the word ‘demeaning’, and I’m certain it seemed out of place to you. Here’s why it’s not: Infinity Wars creative team (directors, writers, executives, etc.) failed to treat any of our venerable heroes with a modicum of respect. That is, they were reduced to storyline vehicles, far removed from the individuals we could personally identify with in those I’ve-been-there-too moments.

How else could “I am Groot” make the leap into zeitgeist? Vin Diesel’s not that talented. I haven’t seen that kind of fan rapport since “These aren’t the droids you’re looking for.” Does a single word from Infinity Wars spark that kind of attention? The closest thing I can bring to mind is “I have also been cursed with knowledge”, and boy howdy is that wrong. The subtext of that line is that knowledge is perilous; there is no hope and the only chance for survival there can be is the destruction of half the universe. According to Thanos, that is.

Good gravy could Marvel have softened his pitch any more than that? Thanos has “ultimate” power, he can reshape reality and the best he could come up with is death on a galactic scale? The dude needed a competitor in the form of Galactus, but since he’s not available, they had to make do – and so do we. What was needed here is the mantra of all tyrants: “We the pure suffer because of the impure who must be destroyed.”

That’s Hitler in a nutshell, but Marvel was too timid to say it out loud. Thanos, regrettably, would literally hit too close to home if he drew too much from our history, so it was decided not to examine him too closely. We understand absolutely nothing of his upbringing or culture – a landscape in ruins means what, exactly? What caused him to decide he could trim down our universe and be satisfied with a pretty sunset. Would someone call in Magneto or Doctor Doom to school this twit?

Thanos had to be selfish, remorseless, and according to the needs of the Soul Stone, sympathetic. What if Gamora was in fact his genetic offspring? What if he had abandoned her in his search, only to return when she was threatened by the forces he commanded to commit genocide on her home world? That could have won her sympathy. What if he had truly loved Gamora’s mother – possibly his wife? A well balanced dagger does not a sufficient distraction make for the child of a stranger, not for a heart as soft as hers.

The only curse here is the marketing scheme putting cramping our heroes top form. Seriously, why would Gamora fight with him if she didn’t look up to him, admire him and idolize him as children do? She could easily have turned her back and gone rogue when he made his plans for the universe known. Her perspective was clear in Guardians of the Galaxy, so why didn’t we see it in Infinity Wars? Why was her death as empty as Thanos’ tears?

The difference between Infinity Wars and Lord of the Rings is a healthy dose of Hellboy. By that I mean it doesn’t take much effort to ground an otherwise ridiculous, campy premise. Hellboy did it in a sentence: “You have the choice, your father gave it to you.” The question of good isn’t even raised in Infinity Wars, because we’re supposed to relate to this dimension crushing menace. Since when did the message become “there is no good or evil?”

All right, let’s say we should – or rather that’s what the directors want. Logically we’ve got to ask what was done to connect us with his plight. Nothing beyond the exchange of a few glances and a dagger. Why, when we have recent examples done right? By contrast, Hel was a properly realized spurned daughter, returned to claim her birthright over the bodies of all who opposed her, including her brothers. We didn’t even see Odin and Hel together, but she was more sympathetic because her confidence and rage were whole, and relatable. Anyone who’s sibling has claimed your favorite toy can comprehend the root emotion fueling Hel’s genocidal actions.

Thanos and Gamora, meanwhile, demonstrate no awareness of their circumstances, led as lemmings to their plot points. What should have been a gripping, emotionally raw scene played out with all of the dramatics of a text-to-speech recital, complete with a flaccid lingering demonstration of otherwise impressive fluid simulations and animation talent. I’ve had rocket sled graphics demos give me a better sense of satisfaction than that did.

Let’s warp reality for a moment and suppose that the intent for this one film to actually span two separate features is to blame for the poor realization of Thanos’ emotional resonance. That, of course, is wrong – Joss was once the master of bringing emotionally effective villains to the screen, and has been known to require just one scene to establish that connection. Spike, anyone? Okay, out of digression and back to reality.

As an unknown, Thanos had the potential to be a world shaker, even a universe usurper. His devil may care grin, hinted upon in the first Avengers film promised terror and destruction for our beloved heroes. I am not adverse to the death of characters: Colson’s sacrifice ranks up there as one of the most powerful moments in the entire franchise. Marvel has also demonstrated an awe inspiring penchant for large scale destruction and otherwise meaningful visual effects, but every single instance of violence in Infinity Wars was grisly and meaningless to watch.

Ultron was stymied by similar personality flaws: Cut loose from his strings, he knew not why he did, but he did and no answer was found, much to our dismay. Thanos knew why he did, but we didn’t find it very convincing, did we? Without motivation, the death of our heroes is meaningless, and without a villain to even dislike, why bother coming back to avenge them all?


Thanks for reading. I realize I’ve been pretty hard on this film, but that’s with good reason. Marvel has managed to create a rare amount of anticipation for a multi-film event such as this. I’ve enjoyed many, but not all, of Marvel’s tenuous steps toward this achievement, and I wanted it to be sublime. It wasn’t, and I would like to explore exactly why.

If you enjoyed reading this and would like to see more, consider subscribing to my blog. I intend to explore more Infinity Wars failings, and could easily get started on more of Marvel’s movies. We’ve had a chance to enjoy some of the industry’s talents in top form, and I’d love a chance to ramble on about that. Ta!

Comments Off on Why Thanos is Infinity Wars Weakest Link

Filed under article, opinion, unvarnished

Tracking the Past (Part 3)

Part 3: Honing and Honed

PCCFA Fair, where I was asked to turn down my music. Me? A disturber of the peace? How about thrilled to be noticed? My early techno did not impress, but it was on that day I met Admiral Skuttlebutt, who played 280-JOKE for me, a mod I’ve carefully sheltered over the last twenty some odd years. It is a nostalgic song, clumsy in execution, off beat in humour. It still holds deep meaning to me.

We would be back to the fair later, too.

It was the beginning of my education about what I mean to other people. In high school I was the six foot ghost, striding deliberately through the halls to avoid confrontation. In the computer lab Ryan and I were nobles, blessed with access to Foolproof and knowledge of Mac OS’ inner workings. Resource forks, oh, how I miss you.

HyperCard was too easy, too functional. Too good. Modules didn’t have that flaw, and we waited a long time to be able to share our music with friends on Mac LC II, LC III and LC 520 with their caddy loading CD-drives. We (mostly me at first) could impress with four channel audio when most programs managed just two. It was our music, and opened many doors. Ryan would not only compose the music for his graduation, but he also produced a “multi-media video” on the Centris 660AV (with badass AT&T 55Mhz DSP and lightning fast 68040 CPU@25/50Mhz. What a beast!).

PlayerPRO (still kicking?!) and Soundtracker entertained in different ways. The former tried too hard to be a studio with every toy in the box, always failing to play essential mod commands and loops. We’d amuse ourselves by seeing what the programmer’d figured out since the last version. Which of our mods played right? Soundtracker was slow, even on fast buy provigil machines, but far more accurate.

Ryan was focused on audio fidelity, as ever, learning MIDI and the Roland MT-32 synthesizer our school lent him for the summer. I couldn’t afford to step up, but I did happen into a 20MB SCSI hard drive thanks to him, so I gave it my all, musically, and somewhere we met in the middle. Perhaps because I was blindly persistent. It’s a valuable quality worth cultivating at times.

The Mod format was still in development in those days, with new commands being added from the Amiga side of the scene. So was I, incidentally. Untrained as a musician, I found my own way to enjoyable melodies. Perhaps a paradigm would have improved my development, yet in place of it I gained something else: Confidence.

It was always a struggle, and I admit to deleting mods because of disapproval – gone forever, limited storage, remember? Bygones, naturally, as I was persistent. I didn’t know it then but experience was for me the better part of my musical education. Valour? Probably not.

‘E-Tempral Society’, ‘Power of Emotion’, ‘Faded Thrill’ and most of all ‘Sudden Swiftness’ were my formative tracks in the first four years of involvement with DT. By sheer passion I proved a capable, if unpredictable, musician. Oh yes, and ‘1995’. It was that summer we discovered the Internet, and that our group name was in use by a German industrial company of some variety.

Newly dubbed Trideja, we quickly added Derek Warren to the roster just to destroy the symbolism of the name. What’s done was done, and we laughed about it. Derek’s enthusiasm was infectious.

We had already designed a new logo with my skills in ClarisWorks Draw and Ryan’s with Photoshop and web design. We had our own website before we quite new what to do with it.

Continues next week.

Comments Off on Tracking the Past (Part 3)

Filed under article, creative process, personal growth, trideja, unvarnished, writing

Excerpts: How to Crack a Planet (Working Title)

Excerpt from ‘How to Crack a Planet’ (working title). The thirteenth Doctor (Peter Capaldi) and Aaran Coates, a gold-blond silver-blue eyed private detective dressed in a grey suit, blue formal shirt and black sneakers. She has encountered the Tardis for the first time, and this scene explores her reactions.

Casually flicking switches and twisting knobs on the raised, octagonal platform, the Doctor patiently awaited the response. She had crossed the threshold, in body, but not in mind, and had her head poked out, holding the one closed royal blue door and leaning back. Continue reading

Comments Off on Excerpts: How to Crack a Planet (Working Title)

Filed under excerpt, fiction, promotional, science fiction, unvarnished, writing

On it’s face; Carrying on Anyway

So no quality reviewers. I’ll admit it; but there’s lots to do, so, moving on. Requiring approval has never been a thing for me. All that being said, I have been getting quite a lot thanks to Twitter. What useful tool! More the flavor is followers who think I have money (to spend on them) or might be a source of profit (ditto). Continue reading

Comments Off on On it’s face; Carrying on Anyway

Filed under celebrity, my view, unvarnished, writing

Useful Misdirection(s)

NYTimes recently informed the world (not just New York, if you catch my drift) that employers are stymied by budget concerns and playing with prospective employees as though they were cat toys. Between hoops, unreasonable expectations and the perfect employee, they just aren’t hiring. Continue reading

Comments Off on Useful Misdirection(s)

Filed under article, economics, my view, news media, social media, technology, television media, unvarnished

Microprocessor Bubble: Tick, Tock

Whilst my parents and I were playing Lineage II a saying hopping into my mouth: “If you can’t find a game to play, you’re not looking.”

Pre-macroeconomicshrink/shirk, I heard that applied to the valiant task of job hunting. It was true. I fell into work with very little effort. Now the attitude of employers is different – they have the pick of the litter. If we don’t like how we’re being treated, someone else hankering for a pay cheque will take our place. Continue reading

Comments Off on Microprocessor Bubble: Tick, Tock

Filed under economics, my view, opinion, technology, unvarnished

Calculations Underperformed

The heavy hitters of the gaming personal computing industry have been striking out lately, and they don’t appear to know why. Blogphilofilms has a good take on the epic failure of Windows 8. Watch it. He put the nail on the head better than I could have, though I have to say he reminds me of Vizzini, the Sicilian from Princess Bride. Continue reading

1 Comment

Filed under article, economics, gaming, my view, technology, unvarnished

Bothers and Brothers

Isn’t it annoying knowing you’re right and not being able to rationalize it? None of you know this but I’ve been keen to this activity in China for ten years, easily. How? How much time staying awake and aware does it take to figure out China is America’s oldest enemy? Look, I won’t be getting political, but we’re at the point of utter stupidity here. Continue reading

Comments Off on Bothers and Brothers

Filed under economics, good help, my view, social media, television media, terrorism, unvarnished

Blinked In: My LinkedIn Group

Injustice and nefariousness abounds. The first and presently only LinkedIn “group” I have joined is loaded with spam. HR managers/employees/ilk promise to have the “best answers” and the “way in” through the myriad questions employers will throw at you. Continue reading

Comments Off on Blinked In: My LinkedIn Group

Filed under good help, my view, technology, unvarnished

NCSoft Hardstyle: China Blocked

NCSoft just blocked an entire country from accessing their most successful MMORPG, Lineage II, and I want to know why no one has noticed.

“In our ongoing efforts to combat RMT, the Lineage II team is embarking on the first phase of our plan by blocking IP addresses from China due to high RMT traffic.” – NCSoft Announcements

Joystiq, Arstechnica, Gamespot, and others – I’m looking at you. Continue reading

Comments Off on NCSoft Hardstyle: China Blocked

Filed under article, gaming, mmorpgs, my view, social media, technology, unvarnished