Tag Archives: Simon of Trideja

Writing, Music, Reviews and HonestGamers.com

Where have I been since the beginning of the month? Waiting for Paypal, mostly. Nonetheless, I’m back, and I’ve been busily writing, studying, working on music and reviewing games. Here’s a breakdown with links (which open in a new window):

Reviews

Kirby’s Epic Yarn (Wii)
The Wii was never a doomed platform; it sparkles with possibility and is home to some of gaming’s most iconic motion controls. Well, the controls that people actually enjoyed. Masahiro Sakurai took the road less traveled, however: There are no motion controls in Epic Yarn. [Read More @ HonestGamers.com]

Chocobo Racing (PSX)
About the last thing I expected from Chocobo Racing’s stuttery menu was a thoroughly enjoyable story mode and racing well tuned enough to warrant many playthroughs. And competition with friends. And more playthroughs. Chocobo Racing could have one of the best story modes of any racer I’ve ever played. [Read More @ HonestGamers.com]

Final Fantasy IX (Steam/Windows)
There’s a monkey in 18th century finery who’s going to try and steal your heart, but not before Vivi clambers into it. Romance is the language of Final Fantasy IX, and a happy-go-lucky attitude is its vehicle. IX is Shakespearean in more than its presentation; after the consequences of war, genocide and the subjugation of races are the stage for presentations of human truths and nature. [Read More @ HonestGamers.com]

Music

Remasters at Soundcloud
I’ve been remastering a selection of classic tracked mods for an upcoming album, and posting the pre-release results on Soundcloud. 1998: Sailor Rifts HD sounds pretty good …. pretty much the way I always thought it should sound, but could never accomplish with an eight channel module. I’ve released the aforementioned and: T2K Sugar & Spice HD and Cold Effects HD. [Hastypixels @ Soundcloud]

Writing

Sliver of Light
Still in progress and week by week the manuscript nears completion. If there’s any development, you’ll see it here first. My Patreon’s a little on the quiet side, but I’m still working on what to make “exclusive”. In the mean time, I’m just doing what I do. Once again, thank you for your links, feedback and time!

Be safe, friends.

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Tracking the Past (Part 4)

Part 4: Mostly Infamous

Trideja was formed before Derek joined the group and in a way returned to three key creative talents. Dave was more confident in his pursuit of Total Eclipse II BBS, for many years the only release site of Trideja tunes to the world. It would lay the foundation for his current job as a system administrator for Rockstar Games. We had hopes of taking our music to the next level, turning professional.

Attending computer conferences, submitting music tapes. Answering responses to requests for game music which never turned out. The most compelling to me was a Asteroid inspired beta that needed some atmospheric aural backing. My infamous claim would come well after I had neglected my trideja.com email.

Meteor 2. James Bunting needed music, and through email I brashly gave him permission. These days its a charming throw back to top down shooters with a Paint.exe style aesthetic. I swallowed the pill of having a game that fit in some ways but not in others. I hadn’t tailored my tracks to first, they were just energetic and the visuals were underwhelming.

The community ate it up, however, and it’s something I’m known for. “You’re that guy from Trideja, right?” It might even make it on Greenlight, and I am grateful. Little successes uncounted are meaningless, but when noticed weave a fabric that can form a safety net for some of life’s more challenging times.

For instance: Betas. These were snippets of ideas, half realized patterns sometimes amounting to half-complete songs. Derek began to amass these, and would ask about ideas he was interested in. There are some that would never have been finished without his relentlessness.

We collaborated very well and somehow never realized our own potential, but not for a moment do I regret the time spent and fun had. Perhaps there’s room for another collaboration the future. If there’s something I can think to say now, it’s not to frown on a style of music but to look to the purity of its expression. Techno never stopped Bowie from advancing his mastery, nor did it fail to communicate his messages.

Yet down the road, after spending some time with DJs, having songs played in clubs, I became aware that my betas were a ball and chain. Can you imagine recording every jam session just to have the memory of every melody haunt you as wasted potential?

What a waste of time, but nothing is, when practice results in a performance greater than the last. Improvement comes from many quarters and can go unnoticed. My attitude of trusting the flow meant some songs bloomed and others busted, but I always put my best effort into them. The value in that is the lesson learned; don’t be dragged down by could-be.

Continues next week.

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